Deck controls

Fader start

Fader start makes a linked player begin playing the moment its channel fader or the crossfader leaves the bottom, and return to its cue point when the fader closes. Moving the fader replaces pressing play.

In practice

The fader becomes the play button. Check whether it is armed on unfamiliar gear before you touch anything.

It needs the player and mixer linked, so it works on matched club setups and often not on a mixed one. Where it is available it suits quick cutting and turntablist work, where you want a record to start exactly as the fader opens. It suits long blends much less, because the track starts the instant the fader leaves the bottom and you lose the ability to bring something in already running. Turn it off if you do not want it rather than working around it.

Linked

What it requires

Cutting

Where it earns its place

Check it

On unfamiliar gear

Where these come from: Standard fader-start behaviour on linked club setups — documented behaviour, not catalog figures. For what we can measure, see the other automatic start.

Why it matters

It removes a hand from the transition. Instead of pressing play and then opening the fader in two movements, the fader does both, which matters most in fast cutting styles where the difference between one movement and two is the difference between clean and late.

It is also the feature most likely to surprise you on somebody else’s mixer. A deck that starts playing when you brush the fader is alarming if you did not know it was armed, which is why checking it during your changeover is worth the five seconds.

Frequently asked

Why does the deck start when I move the fader?+

Fader start is armed. It makes the fader act as the play button on a linked setup, and it is easy to inherit from whoever used the mixer last.

Do I need a specific mixer for fader start?+

The player and mixer have to be linked, usually by the manufacturer’s control cable. A mixed setup frequently will not support it.

Is fader start useful for long blends?+

Not really. The track starts as soon as the fader moves, so you cannot bring in something already running — which is exactly what a long blend needs.

Related terms