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B-side

The B-side is the second side of a single — historically the less commercial track, often the one aimed at DJs. On digital releases the term survives as a name for the deeper cut on a two-track release.

In practice

The side chosen for clubs rather than radio. On older singles it is often the better DJ record.

When digging older catalogue, check the B-side before the A-side — the A was picked for daytime and the B for the floor, and the difference is frequently large. On digital releases, treat the second track on a two-track release the same way. The practical value is competitive: everybody has heard the A-side, which means the B-side is where you find something that is both known and unplayed.

The B

Which side clubs got

Under-played

What that makes it

Check it first

When digging older records

Where these come from: Release history and crate-digging practice, not catalog figures. For what we can measure, see the wider habit.

Why it matters

A great deal of dance music history is on B-sides, because the A-side was chosen for radio and the B-side was chosen for clubs. That is a genuine sourcing insight rather than nostalgia: on older records, the side nobody talks about is frequently the one you want.

It also survives as an attitude. "B-side" now describes a track a label released without pushing, which means it is under-played relative to its quality — and that is the definition of a record worth digging for.

Frequently asked

Are B-sides worse than A-sides?+

Less commercial rather than worse, and on dance records frequently better for a club. The A-side was chosen for radio.

Do B-sides exist on digital releases?+

Not formally, but the idea survives — the second track on a two-track release is usually the deeper one, and it gets a fraction of the attention.

What is an AA-side?+

A release where both sides are pushed equally, usually because the label could not choose. Worth checking both.

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