31,458 artists in catalog

Artist index

Every DJ-relevant artist with three or more chemistry-scored tracks in our catalog. Each page shows BPM range, dominant keys, sound profile and related artists — useful when you're prepping a set, deciding whether an unfamiliar artist will work in your scene, or just exploring.

Leonard A
6
Trance (Main Floor) · 128 BPM median
10A
PAB165
6
Techno (Raw / Deep / Hypnotic) · 142 BPM median
2B
Drax Nelson
6
House · 132 BPM median
202410B
Dre Guazzelli
6
Organic House · 121 BPM median
11A
MPathy
6
Melodic House & Techno · 124 BPM median
202312B
Arsa Ketoma
6
Breaks / Breakbeat / UK Bass · 130 BPM median
20205A
benja millan
6
Techno (Peak Time / Driving) · 132 BPM median
7B
Klangtronik
6
Hard Techno · 128 BPM median
2014–201510A
IMGFriend
6
Melodic House & Techno · 124 BPM median
20188A
PARAFRAME
6
Progressive House · 126 BPM median
20254A
Choco
6
Dance · 115 BPM median
2015–20175A
Circo
6
Hard Techno · 156 BPM median
11A
Robustt
6
UK Garage / Bassline · 138 BPM median
11B
Cirque Du Soleil
6
Organic House · 126 BPM median
201110B
Creep n00m
6
140 / Deep Dubstep / Grime · 142 BPM median
8A
Dagga
6
Electro (Classic / Detroit / Modern) · 134 BPM median
11A
Jac The Disco
6
Indie Dance · 119 BPM median
2018–20198A
Dam-Funk
6
Electronica · 115 BPM median
201810A
David Bau
6
Techno (Peak Time / Driving) · 130 BPM median
201910A
ONE&TWO
6
Bass House · 126 BPM median
20219A
Ashwin Khosa
6
Minimal / Deep Tech · 125 BPM median
20177A
Nick Matthew
6
Melodic House & Techno · 124 BPM median
11B
Novah
6
Hard Dance / Hardcore / Neo Rave · 155 BPM median
2024–20264B
fishplant
6
Organic House · 121 BPM median
202512A
Peep This
6
Breaks / Breakbeat / UK Bass · 128 BPM median
4A
NIOTech
6
Hard Dance / Hardcore / Neo Rave · 157 BPM median
10B
Peter Schumann
6
Minimal / Deep Tech · 130 BPM median
1A
Optobot
6
Breaks / Breakbeat / UK Bass · 128 BPM median
2014–201610B
ÖRAK
6
Breaks / Breakbeat / UK Bass · 131 BPM median
9A
PVC
6
UK Garage / Bassline · 131 BPM median
20073A
Pyke
6
Dubstep · 140 BPM median
2024–20251A
Ben Jones (UK)
6
Minimal / Deep Tech · 131 BPM median
8A
Orquesta Lo Nuestro
6
Caribbean · 96 BPM median
12A
Circadian
6
Drum & Bass · 87 BPM median
2023–20254A
Notorious Lynch
6
Tech House · 126 BPM median
4A
TripL
6
Mainstage · 127 BPM median
8B
DJ Falk
6
Funky House · 128 BPM median
2006–20187B
Mad Sam
6
Drum & Bass · 87 BPM median
2025–20267A
Artifact
6
Hard Dance / Hardcore / Neo Rave · 155 BPM median
2019–20224A
Clap Codex
6
Techno (Peak Time / Driving) · 130 BPM median
2022–20233B
Alan Schultz
6
Progressive House · 122 BPM median
2A
Altamirano
6
Minimal / Deep Tech · 124 BPM median
20198A
Kholina
6
Indie Dance · 123 BPM median
10B
Replicant
6
Drum & Bass · 88 BPM median
202510B
Nikhil Prakash
6
Trance (Main Floor) · 128 BPM median
6A
nanobii
6
Mainstage · 111 BPM median
2014–202312B
Mik&Ale
6
Techno (Peak Time / Driving) · 139 BPM median
11A
Night Stories
6
Melodic House & Techno · 123 BPM median
10B

Why a chemistry-scored artist directory matters

Most artist directories online give you a name, a genre tag and maybe a Spotify link. They don't tell you whether an artist's tracks will mix into your set, what BPM range they live in, which keys dominate their releases, or who else sounds like them. For a working DJ, those are the questions that actually matter.

Every artist in this directory has at least three tracks in our catalog, analysed end-to-end across the same six dimensions our recommendation engine uses — energy, drive, groove, brightness, warmth and vocal content. The result is that an unfamiliar name on a lineup poster is two clicks from a clear picture: their typical tempo, their dominant keys, the artists they cluster with, and a sortable list of every track of theirs we've scored.

Use the search to find a specific artist, the genre chips to narrow to a scene, or just sort by popularity to see who's currently dominating the Mixgraph catalog. From any artist page, the related-artists section spreads the map out further — every connection is a similarity-scored edge, not a guess.

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