Tech House · 2026
nate band
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Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 4,300 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Let Me See Ya (Work It) - Extended Mix by nate band is a bass-heavy, groove-locked Tech House track at 132 BPM with moderate drive and strong groove. At 57% energy, it works as an energy builder — pushing the floor forward without peaking.
Released 1 May 2026 · 3:45 · 49% mood · -9 dB loudness
The feel
The bass weight is the story here — 89% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
57% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
132 BPM — squarely in tech house territory, mixable within roughly 127–137 BPM without pitch artefacts.
D♭ Major — 3B on the Camelot wheel. Harmonically compatible with 3A, 2B and 4B.
Tracks in 3B, 3A, 2B or 4B between ~127–137 BPM.
Mid-set energy builder — 57% energy with strong groove pushes the floor forward without peaking. Save peak-time slots for higher-drive records.
Explore: 132 BPM tracks · 3B tracks · 3B → 3A key pair · Harmonic mixing guide · Tech House mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Pressure - Extended Mix
MILLINOVA
132 BPM · 3B · Tech House
Same key · same BPM — seamless blend
MF Bass - Extended Mix
Paul Johnson
132 BPM · 3B · Tech House
Same key · same BPM — seamless blend
Saint and Sinners
Samira
132 BPM · 3B · Tech House
Same key · same BPM — seamless blend
Control - Extended Mix
Afrojack
130 BPM · 4B · Tech House
Adjacent key · -2 BPM — seamless blend
Horizon
Mati Astroza
131 BPM · 3B · Minimal / Deep Tech
Same key · -1 BPM — seamless blend
3B → 3B
Same key, ±2 BPM. With 87% groove and heavy bass, long blends work — cut the incoming bass until the switch.
MF Bass - Extended Mix
Paul Johnson · 132 BPM · 3B
93 chemistry
3B → 3A
Relative minor — darker key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Down Low - Extended Mix
Gaddi · 130 BPM · 3A
87 chemistry
3B → 2B · 4B
Adjacent keys through a breakdown. This one runs 3:45 — the outro gives you a full phrase to work with.
Control - Extended Mix
Afrojack · 130 BPM · 4B
90 chemistry