Minimal / Deep Tech · 2017
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 4,300 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Vortex - Benavid Dub Remix by Laydee V is a bass-heavy, groove-locked Minimal / Deep Tech track at 122 BPM with moderate drive and strong groove. At 81% energy, it delivers peak-time intensity.
Released 8 May 2017 · 7:52 · 47% mood · -11 dB loudness
The feel
The bass weight is the story here — 97% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
81% energy places it in the peak — the top of the night — full commitment, the room is already yours.
Minimal / Deep Tech producer and DJ.
125
Median BPM
5A
Top key
2015–2017
Active
18
Tracks
122 BPM — squarely in minimal / deep tech territory, mixable within roughly 117–127 BPM without pitch artefacts.
C♯ Minor — 12A on the Camelot wheel. Harmonically compatible with 12B, 11A and 1A.
Tracks in 12A, 12B, 11A or 1A between ~117–127 BPM.
Peak-time weapon — 81% energy with strong groove hits hard and holds the floor. Drop it when the room is already yours.
Explore: 122 BPM tracks · 12A tracks · 12A → 12B key pair · Harmonic mixing guide · Minimal Techno mixing guide
Mixgraph for iPhone and Android — preview and plan sets on the go.
Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 1, ranked.
Compatibility is temporarily unavailable.
The rest of this track page is ready. Try the scoring service again.
12A → 12A
Same key, ±2 BPM. With 89% groove and heavy bass, long blends work — cut the incoming bass until the switch.
12A → 12B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
12A → 11A · 1A
Adjacent keys through a breakdown. This one runs 7:52 — the outro gives you a full phrase to work with.